DALMI-
Novelty and fashion circuits in the mid-seventeenth-century Antwerp-Paris art trade
by Neil de Marchi & Hans van Miegroet in: JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES 28, no. 1 (1998): 201-246.
Abstract:
De Marchi and Van Miegroet focus on the art trade between Antwerp Belgium and Paris and the creative shifts that both artists and art dealers displayed in their appropriation and transformation, or partial adaptation, of Netherlandish imagery for export to Paris in the 1650s and the early 1660s.
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